Kanye West 2026 - Gelredome

Two nights. One massive production. 70.000 fans. The shows on June 6 and 8 demanded precision, speed and reliability from every department involved.

Working as lead of the lighting team, I was responsible for ensuring the lighting system remained show-ready throughout rehearsals and performance. From network infrastructure and system checks to fixture maintenance and troubleshooting under pressure, every element had to perform flawlessly when the show started.

Large-scale stadium productions leave little room for error. With extensive fixture counts, demanding creative requirements, preparation and attention to detail were essential. Throughout both show days, I supported the production team behind the scenes to keep the lighting system stable and responsive, allowing the creative vision to take center stage.

The result was a seamless visual experience that matched the scale and ambition of the production.

Lighting System Tech.

Commissioned by Euro-PA.

The Numbers.

    • 144x Aryton Veloce

    • 120x Clay Paky Arolla Aqua

    • 112x CLF Serius

    • 9x Robe iFORTE LTX

    • 4x GLP Mad Maxx

    • 3x GrandMA Full Size

    • 5x GrandMA Light

    • 12x GrandMA PU M

    • 1x Follow-Me 2 Targets

    • 9x ELC Node8GBX

    • 6x ELC DLS18GBX

    • 1650m Optical Fiber

    • 438,8 kW total Power

    • 1908 Amps

    • 21.856 DMX Channels

See more projects.