At festivals, concerts, and corporate events, I adapt my approach to match the atmosphere and scale of each show. Whether busking live or following a set cue list, I focus on creating smooth, well-timed lighting that supports the performance without taking over.

As the house lighting tech, I’m the first point of contact for guest LDs at front of house. I help them get settled, adapt their showfiles to the rig, and make sure everything runs smoothly in the lead-up to their set. Whether it’s fixture swaps, patch help, or quick alignment checks.

I’m there to support them so they can focus on delivering their show.

Working with GrandMA3 for operating and programming, I focus on building reliable and easy-to-use showfiles. My programming stays clean and flexible, allowing for smooth adjustments during rehearsals or live shows. To stay sharp, I keep up with the latest software updates and features.

For timecoded shows, I program lighting that fits tightly with the music or video content. With close attention to timing and detail, I ensure the lighting flows naturally with the show, enhancing the experience without drawing unnecessary attention to itself.

Through a close network of trusted suppliers, I help arrange GrandMA3 desks for one-off shows, tours and corporate events. Whether the production is large or small, I make sure the setup is reliable and tailored to the needs of the show.